الصيغة الأصلية لهذا الاسم الشخصي هي Ligeti György Sándor. هذه الموضوعة تستخدم الترتيب الغربي للأسماء.

گيورگي ساندور ليگتي (György Sándor Ligeti ؛ //؛ بالمجرية: Ligeti György Sándor؛ تـُنطق [ˈliɡɛti ˈɟørɟ ˈʃaːndor]؛ 28 مايو1923 – 12 يونيو2006) was a Hungarian composer of contemporary classical music. He has been described as "one of the most important avant-garde composers in the latter half of the twentieth century" and "one of the most innovative and influential among progressive figures of his time".

الجوائز

• Beethoven Prize of Bonn (1967)
• Berlin Art Prize (Requiem) (1965)
• UNESCO International Rostrum of Composers (1969)
• Berlin Art Prize (1972)
• Bach Prize of the Free and Hanseatic City of Hamburg (1975)
• University of Louisville Grawemeyer Award for Music Composition (Etudes for Piano) (1986)
• Austrian Decoration for Science and Art (1987)
• Honorary Ring of the Vienna (1987)
• Commandeur dans l'Ordre des Arts et des Lettres (1988)
• Prix de composition musicale de la Fondation Prince Pierre de Monaco (1988)
• Léonie Sonning Music Prize (Denmark, 1990)
• Grand Austrian State Prize for Music (1990)
• Praemium Imperiale (1991)
• Balzan Prize (1991)
• Honorary Member of the Royal Academy of Music, London (1992)
• Ernst von Siemens Music Prize, Germany (1993)
• Rolf Schock Prize for Musical Arts (1995)
• Music Award of the UNESCO (1996)
• Wolf Prize in Arts, Israel (1996)
• Wihuri Sibelius Prize, Finland (2000)
• Kyoto Prize (2001)
• Medal of Arts and Sciences of the City of Hamburg (2003)
• Theodor W. Adorno Award (2003)
• Kossuth Prize, Hungary (2003)
• Polar Music Prize (2004)
• Frankfurt Music Prize (2005)

أبرز تلاميذه

نطقب:For LMST

الكتابات

• Ligeti, György. 1957. "Zur III. Klaviersonate von Boulez" Die Reihe 5: "Berichte—Analyse": 38–40. English as "Some Remarks on Boulez' 3rd Piano Sonata", translated by Leo Black. Die Reihe [English edition] 5: "Reports—Analyses" (1961): 56–58.
• Ligeti, György. 1958. "Pierre Boulez. Entscheidung und Automatik in der Structure 1a ". Die Reihe 4: "Junge Komponisten": 38–63. English as "Pierre Boulez: Decision and Automaticism in Structure 1a", translated by Leo Black. Die Reihe [English edition] 4: "Young Composers" (1960): 36–62.
• Ligeti, György. 1960. "Wandlungen der musikalischen Form" Band 7: "Form—Raum": 5–17. English as "Metamorphoses of Musical Form", translated by Cornelius Cardew. Die Reihe [English edition]سبعة "Form—Space" (1964): 5–19.
• Ligeti, György. 1960. "Zustände, Ereignisse, Wandlungen: Bemerkungen zu meinem Orchesterstück Apparitions". Bilder und Blätter 11. Reprinted as "Zustände, Ereignisse, Wandlungen". Melos 34 (1967): 165–69. English as "States, Events, Transformations", translated by Jonathan W. Bernard. Perspectives of New Music 31, no. 1 (Winter 1993): 164–71.
• Ligeti, György. 1978. "On Music and Politics", translated by Wes Blomster. Perspectives of New Music 16, no. 2 (Spring–Summer): 19–24. Originally published in German, in the Darmstädter Beiträge zur Neuen Musik 13 (1973): 42–46.
• Ligeti, György. 1987. "A Viennese Exponent of Understatement: Personal Reflections on Friedrich Cerha", translated by Inge Goodwin. Tempo, New Series, no. 161/162: "...An Austrian Quodlibet..." (June–September): 3–5.
• Ligeti, György. 1988. "On My Piano Concerto", translated by Robert Cogan. Sonus: A Journal of Investigations into Global Musical Possibilities 9, no. 1 (Fall): 8–13.
• Ligeti, György, and Peter Sellars. "Le Grand Macabre: An Opera in Two Acts (Four Scenes) 1974-1977". Grand Street, no. 59: "Time" (Winter): 206–14.
• Ligeti, György. 2001. Neuf essais sur la musique, translated by Catherine Fourcassié. Geneva: Contrechamps.

الهامش

المصادر

• Agel, Jerome. 1970. The Making of Kubrick's 2001. New York: New American Library. ISBN 0451071395.
• Anon. 2011. "Classical Music in Movies: A Listing by Composers". Braunschweig University Library. Retrieved 21 November 2015..
• Anon. n.d.(a) "György Ligeti (1923-2006)". Pytheas Center for Contemporary Music website (Accessed 22 October 2013).
• Anon. n.d.(b). "György Ligeti". Münchner Philharmoniker. Retrieved 22 November 2015.
• Arnowitt, Michael. 2009. "Ligeti and His Influences: Music to Wow both the Mind and the Body". Michael Arnowitt homepage (accessed أربعة February 2010).
• Bauer, Amy. 2011. Ligeti's Laments: Nostalgia, Exoticism, and the Absolute. Aldershot: Ashagte. ISBN 978-1-4094-0041-7.
• Benjamin, George. 2007. ""In the Realm of the Senses". The Guardian (23 February).
• Chen, Yung-jen. 2007. "Analysis and Performance Aspects of György Ligeti's Études pour piano: 'Fanfares' and 'Arch-en ciel'". DMA diss. Columbus: The Ohio State University.
• Crilly, Ciarán. 2011. "The Bigger Picture: Ligeti’s Music and the Films of Stanley Kubrick". In ;;György Ligeti: Of Foreign Lands and Strange Sounds, edited by Louise Duchesneau and Wolfgang Marx, 245–54. Woodbridge (Suffolk) and Rochester (New York): Boydell & Brewer Ltd. ISBN 978-1-84383-550-9.
• Cummings, Robert. n.d. "György Ligeti: Artist Biography". Allmusic website (Accessed 22 October 2013).
• Duchesneau, Louise, and Wolfgang Marx (eds.). 2011. György Ligeti: Of Foreign Lands and Strange Sounds. Woodbridge, Suffolk: Boydell Press. ISBN 978-1-84383-550-9.
• Gann, Kyle. n.d. The Music of Conlon Nancarrow.^[]
• Griffiths, Paul. 1997. György Ligeti. London: Robson Books. ISBN 1-86105-058-5
• Griffiths, Paul. 2001. "Ligeti, György (Sándor)". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.
• Griffiths, Paul. 2006. "Gyorgy Ligeti, Central-European Composer of Bleakness and Humor, Dies at 83". The New York Times (13 June).
• Iverson, Jennifer Joy. 2009. "Historical Memory and György Ligeti's Sound-Mass Music 1958–1968", Ph.D. thesis. Austin: University of Texas, Butler School of Music.
• Jones, Elliott. n.d. "Micropolyphony". candelalearning.com. Retrieved 22 November 2015.
• Kozinn, Allan. 2005. "The Prankster as Omnivore". The New York Times (14 November).
• Ligeti, György. 1988. "On My Piano Concerto", translated by Robert Cogan. Sonus: A Journal of Investigations into Global Musical Possibilities 9, no. 1 (Fall): 8–13.
• Lobanova. Marina. 2002. György Ligeti: Style, Ideas, Poetics. Studia Slavica Musicologica 29. Berlin: Verlag Ernst Kuhn. ISBN 3-928864-90-4.
• Plaistow, Stephen. n.d. Liner notes to Ligeti: Chamber Concerto, Ramifications, String Quartet No. 2, Aventures, Lux aeterna. Deutsche Grammophon CD 423 244-2. Hamburg: Deutsche Grammophon.
• Powrie, Phil, and Robynn Jeananne Stilwell. 2006. Changing Tunes: The Use of Pre-Existing Music in Film.^[]: Ashgate Publishing, Ltd. ISBN 0754651371.
• Schott Music. n.d.(a). "György Ligeti: Profile". Schott Music website (Accessed 14 January 2011).
• Schott Music. n.d.(b). "György Ligeti: Chronology". Schott Music website (Accessed 21 October 2009).
• Searby, Michael, 2010. Ligeti's Stylistic Crisis: Transformation in His Musical Style 1974-1985. Lanham, MD: Scarecrow Press. ISBN 978-0-8108-7250-9
• Service, Tom. 2015. "Pierre-Laurent Aimard Opens a World of Imagination in Ligeti's Piano Music". The Guardian (20 July; accessed 11 December 2015.
• Sire, Adeline. 2012. "Composer Mohammed Fairouz’s Orchestral Take on the Tahrir Square Uprising". "BBC/PRI The World" (25 January) (Retrieved 24 August 2012).
• Steinitz, Richard. 2003. György Ligeti: Music of the Imagination. London: Faber and Faber. ISBN 0-571-17631-3; Boston: Northeastern University Press. ISBN 1-55553-551-8.
• Taylor, Stephen Andrew. 2003. "For György Ligeti on His 80th Birthday: Ligeti, Africa and Polyrhythm". The World of Music 45, no. 2 ("Traditional Music and Composition"): 83–94.
• Toop, Richard. 1999. György Ligeti. London: Phaidon Press. ISBN 0-7148-3795-4.
• Tusa, John. [2001]. "The John Tusa Interviews: Transcript of the John Tusa Interview with Gyorgy Ligeti". BBC Radio 3. www.bbc.co.uk (Accessed 23 January 2012).
• Wihuri Foundation. n.d. "Wihuri Foundation for International Prizes". ( Accessedخمسة March 2010).
• Wilson, Peter Niklas. 1992. "Interkulturelle Fantasien: György Ligetis Klavieretüden Nrسبعة und 8". Melos: Jahrbuch für zeitgenössische Musik 51 ("Klaviermusik des 20. Jahrhunderts"): 63–84.

للاستزادة

• Drott, Eric. 2011. "Lines, Masses, Micropolyphony: Ligeti's Kyrie and the 'Crisis of the Figure'". Perspectives of New Music 49, no. 1 (Winter):4–46.
• Edwards, Peter. 2016. György Ligeti's Le Grand Macabre: Postmodernism, Musico-Dramatic Form and the Grotesque. Abingdon and New York: Routledge. ISBN 978-1472456984
• Floros, Constantin. 2014. György Ligeti: Beyond Avant-Garde and Postmodernism, translated by Ernest Bernhardt-Kabisch. Frankfurt-am-Main: Peter Lang GmbH, Internationaler Verlag der Wissenschaften. ISBN 978-3631654996

وصلات خارجية

نعي وتأبين

روابط أخرى

نطقب:György Ligeti